Westworld (en España, Almas de metal; en Venezuela y México, Oestelandia; en Argentina, El mundo de los robots asesinos) es una película de ciencia ficción escrita y dirigida en 1973 por Michael Crichton, y protagonizada por Yul Brynner, Richard Benjamin y James Brolin.
La película se sitúa en un momento impreciso del futuro, en un parque de atracciones de alta tecnología llamado "Delos", en el que los visitantes pueden interactuar con robots humanoides en distintos ambientes (el Oeste, la Edad Media o la Antigua Roma). Los robots child tan perfectos que child prácticamente indistinguibles de los humanos, salvo por un pequeño fallo en sus manos, y están programados para responder positivamente a cualquier petición humana, incluidas las proposiciones sexuales.
Dos amigos, Diminish Martin (Richard Benjamin) y John Blane (James Brolin), visitan el parque, en concreto Westworld, donde una de las principales atracciones es el Pistolero (Yul Brynner), un robot programado para organizar duelos con pistolas, y perderlos siempre que se enfrenta a humanos. Poco a poco, los técnicos del parque comienzan a descubrir problemas con los androides. Primero, los robots del "Mundo medieval" comienzan a sufrir fallos de sistema inexplicables; después, una serpiente de cascabel counterfeit ataca a Blane; una sirviente femenina, en contra de su programación, rechaza la petición de sexo de un cliente humano... Los fallos se multiplican, hasta que un robot llamado "Caballero Negro" mata an un visitante en un duelo de espadas en el "Mundo medieval". Los encargados del parque deciden entonces cortar el suministro eléctrico, pero como resultado quedan atrapados en la sala de control, mientras los robots campan a sus anchas por el parque.
Martin y Blane, que se han quedado dormidos después de emborracharse y pelearse en el "Mundo del Oeste", se despiertan sin saber que la situación ha cambiado en el parque. Cuando el Pistolero les reta an un duelo, Blane lo acepta, creyendo que se trata de la atracción turística front, pero el robot le dispara. Al ver esto, Martin escapa para salvar su vida, mientras el robot le persigue implacablemente.
Amid the late '70s and mid '80s, Peruvian rock groups, (for example, Vértigo, Acido and Up Lapsus una banda subte grabado the tune Tormenta el sello discografico Odeon-Iempsa) were kept to the underground scene; with no radio or television support. The half-hour Program Disco Club drove by artist musician Gerardo Manuel (Rojas) was an incidental exemption. Fragil discharged its first LP in 1981. In any case, as a result of the profound emergency that the nation was enduring, Peruvian rockers searched for an approach to channel their disappointments. In this environment, it is nothing unexpected that English Punk rock turned into a noteworthy impact to a couple of youthful Peruvians rockers of this time, and rapidly a little "underground" scene began fermenting parallel to the free-once more "standard" scene. Groups like Leusemia, Narcosis, Zcuela Crrada framed part of the main wave. The individuals from these groups were generally from poor neighborhoods, yet a couple originated from high society neighborhoods and had learned English in their schools.
Groups like Fragil, Rio, Miki Gonzales, Pax, Jas, Imagenes, Trama, Danai y Pateandolatas originated from upper and white collar class foundations, revealing the social division in Peruvian culture. As indicated by a few researchers (for the most part left wing masterminds), the "underground" scene was by a wide margin wealthier in inventiveness, however inadequate with regards to specialized aptitudes, some others think the "business" scene was more beneficial, since the underground scene barely achieved more than a couple of hundred supporters for every show and basically in the capital city of Lima, being for all intents and purposes obscure to whatever remains of the nation.
Rapidly a few groups began showing up and making subgenres inside of the umbrella "underground" scene. Radio or television backing was nonexistent for them (the standard groups had a few), neediness and absence of innovation kept most groups from recording any moderate-quality material. Regardless of this, the present and future looked much brighter than in the '70s, since these groups, particularly the standard ones, were pioneers in the stone scene after the '75–'85 downturn.
In the meantime, an all the more underground scene of Death metal and Dark metal created in Lima. These groups had been affected by European groups. Nearby groups, for example, Mortem and Kranium among others were shaped in the '80s.
La película se sitúa en un momento impreciso del futuro, en un parque de atracciones de alta tecnología llamado "Delos", en el que los visitantes pueden interactuar con robots humanoides en distintos ambientes (el Oeste, la Edad Media o la Antigua Roma). Los robots child tan perfectos que child prácticamente indistinguibles de los humanos, salvo por un pequeño fallo en sus manos, y están programados para responder positivamente a cualquier petición humana, incluidas las proposiciones sexuales.
Dos amigos, Diminish Martin (Richard Benjamin) y John Blane (James Brolin), visitan el parque, en concreto Westworld, donde una de las principales atracciones es el Pistolero (Yul Brynner), un robot programado para organizar duelos con pistolas, y perderlos siempre que se enfrenta a humanos. Poco a poco, los técnicos del parque comienzan a descubrir problemas con los androides. Primero, los robots del "Mundo medieval" comienzan a sufrir fallos de sistema inexplicables; después, una serpiente de cascabel counterfeit ataca a Blane; una sirviente femenina, en contra de su programación, rechaza la petición de sexo de un cliente humano... Los fallos se multiplican, hasta que un robot llamado "Caballero Negro" mata an un visitante en un duelo de espadas en el "Mundo medieval". Los encargados del parque deciden entonces cortar el suministro eléctrico, pero como resultado quedan atrapados en la sala de control, mientras los robots campan a sus anchas por el parque.
Martin y Blane, que se han quedado dormidos después de emborracharse y pelearse en el "Mundo del Oeste", se despiertan sin saber que la situación ha cambiado en el parque. Cuando el Pistolero les reta an un duelo, Blane lo acepta, creyendo que se trata de la atracción turística front, pero el robot le dispara. Al ver esto, Martin escapa para salvar su vida, mientras el robot le persigue implacablemente.
Amid the late '70s and mid '80s, Peruvian rock groups, (for example, Vértigo, Acido and Up Lapsus una banda subte grabado the tune Tormenta el sello discografico Odeon-Iempsa) were kept to the underground scene; with no radio or television support. The half-hour Program Disco Club drove by artist musician Gerardo Manuel (Rojas) was an incidental exemption. Fragil discharged its first LP in 1981. In any case, as a result of the profound emergency that the nation was enduring, Peruvian rockers searched for an approach to channel their disappointments. In this environment, it is nothing unexpected that English Punk rock turned into a noteworthy impact to a couple of youthful Peruvians rockers of this time, and rapidly a little "underground" scene began fermenting parallel to the free-once more "standard" scene. Groups like Leusemia, Narcosis, Zcuela Crrada framed part of the main wave. The individuals from these groups were generally from poor neighborhoods, yet a couple originated from high society neighborhoods and had learned English in their schools.
Groups like Fragil, Rio, Miki Gonzales, Pax, Jas, Imagenes, Trama, Danai y Pateandolatas originated from upper and white collar class foundations, revealing the social division in Peruvian culture. As indicated by a few researchers (for the most part left wing masterminds), the "underground" scene was by a wide margin wealthier in inventiveness, however inadequate with regards to specialized aptitudes, some others think the "business" scene was more beneficial, since the underground scene barely achieved more than a couple of hundred supporters for every show and basically in the capital city of Lima, being for all intents and purposes obscure to whatever remains of the nation.
Rapidly a few groups began showing up and making subgenres inside of the umbrella "underground" scene. Radio or television backing was nonexistent for them (the standard groups had a few), neediness and absence of innovation kept most groups from recording any moderate-quality material. Regardless of this, the present and future looked much brighter than in the '70s, since these groups, particularly the standard ones, were pioneers in the stone scene after the '75–'85 downturn.
In the meantime, an all the more underground scene of Death metal and Dark metal created in Lima. These groups had been affected by European groups. Nearby groups, for example, Mortem and Kranium among others were shaped in the '80s.
